The Learner's Log Book (LLB) for the Saudi Airlines Case Article

The Learner's Log Book (LLB) for the Saudi Airlines Case - Article Example The EFQM Excellence Model, developed by the European Foundation for Quality Management, enables organizations to analyze themselves systematically. All the necessary elements for organizational excellence (process quality, employee satisfaction, customer satisfaction, leadership quality, etc.) are analyzed  The  EFQM Journey to Excellence (J2E) / Internal Excellence Assessor (IEA-EFQM) Training  gives you the skills to organize a self-assessment based of the EFQM Excellence Model, to act as an Internal Excellence Assessor, and to develop, after the self-assessment, a plan for  Striving for Excellence. Are you interested to learn how to use the EFQM Excellence Model to identify and drive improvements at your organization? Would you like to learn how to conduct a successful self-assessment based on the Excellence Model? Would you like to act as an Internal Excellence Assessor? Then this training is for you! EFQM excellence model is developed by the Saudi Arabian Airlines industry to evaluate them methodically. For this, the essential ingredients of organizational excellence such as workers satisfaction, quality process, consumer satisfaction, and leadership quality etc are evaluated. Followings are the key learning points in this article. Saudi Arabian Airlines industry adopts various quality management techniques to improve the overall functioning of the industry. In order to improve the quality, Saudi Arabian Airlines adopted the Self Assessment model in tandem with the European Foundation of Quality Management (EFQM) which is considered as an effective tool for empowering activities in the direction of business excellence.

William Blake course work Essay Example for Free

William Blake course work Essay William Blake was a man who only thought of bettering our society through his actions and poetry. He started working life as engravers apprentice, he grew up in a time know as the Age of Reason, and produced most of his work during this time as, he was a pioneer of this time. His work was called radical as well as his thinking this is because his revolutionary ideas were against all that the society of the time knew. Blakes thinking reduced the church and its institutions to tools of repression, this was because of the churches over ruling power and control of the general people and the society willingness to obey through fear of being punished or sentenced to an eternity in hell. His attitude to try a liberate the human sprit and freedom of thought was powered by his experience of being tried for sedition, this made his thinking very powerful because the church/institution tried to oppresses and control his to which he replied by ridiculing the church through his inspiring poetry. Holy Thursday The subject of this poem is about Holy Thursday and the lies and the make-up face they put on. The type of social injustice that is shown in this poem is towards children and how they are treated badly and used for the churches gain. The themes in this poem are of repression and greed, these are shown by how the children are being used to up the churches reputation by helping the children, and also how the church have used there power take and use the children. The structure of the of the poem keeps the poem in short basic line of words, sort of like how a small child would think, this puts you in a childs shoes and make you feel more empathy for them. The four quatrains also have the same effect of a childs mind by of staying on one subject for a short time. The quatrains are quite regular and strict giving you and impression of the repression of the church making sure there is no thinking against them. The rhyming is simple and regular. This could give the impression of a controlled person always having to think the same way and keep to the same rhythm or something bad will happen. The poetic techniques used in the poem are clever and well used to create emotion in the reader bringing out different feelings and certain biases towards certain opinions. The juxtaposition in the poem is very emotive like the comparison of a rich and fruitful land being disapproved of because of the babes the are fed with a cold and usurious hand this comparison has put the priests in the worst possible light as if this land is so rich and fruitful then why cant they show some compassion, warmth if it doesnt effect them in the slightest. Another juxtaposed stanza is the sentence is that trembling cry a song? Can it be a song of joy? this sentence juxtaposes the songs that the children sing it that it could a song of over flowing joy or a song of great sadness this bring a feeling of pity into the reader for the children as a cry being called a song is something that only the most evil people would say. This then again puts the priest in a bad light as they are forcing children to sing a song of sadness but call it a song of joy. The repetition in the poem emphasises the sadness and despair in the poem like the repetition for the sun not shining and then something bad happening in stead like it raining. The alliteration enhances the effect of the children suffering going on non stop and never ending like the alliteration in bleak and bare theses pieces of alliteration effect the readers feelings towards the children by makes they more bias towards them. The imagery in this poem is good because its create two different images one for greatness and prosperity and one of sadness and poverty these to images are about the same thing these images are contrast and the better one questioned to see if it is a real while the other images is meant to show the truth and a poverty that is there. The imagery also gives us a visual insight to the childrens life by describing it as the field bleak and bare and their ways are filled with thorns this visual description makes us feel sad for the children. This could also be compared to Jesus crown of thorns and his hard life and how they are being put into the public eye for the wrong reasons. The musical is effective in the poem because of how it contrasts what is actually happening and what the priests want to happen like how the want the children to appear happy to promote god to the people so the people come to church and the priests gain money when really the children get no after and are again just left to be abused. The language and syntax in this poem is simple but still very effective it what it meant to do. It is simple because it is not meant for one particular audience it meant for everyone so keeping it simple make this poem readable for everyone this creates an effect on all people as the rich and supposedly more intelligent dont get all think thats its just a plead to them and the poor and supposedly stupid do not feel left out and unwanted. So this brings the rich down to earth, and brings the poor to the same level the rich are on so they are a level playing field. The language is mostly simple with a few complex words this is again an effort to get everyone to understand the poem and be able appreciate it. The lack of complexity in the poem contributes to the meaning because it reflects the children and how they are simple but need to be cared for. The tone of poem is sad for the children and angry at the people who did this to them. The effect of having this tone make the reader for empathy for the children but it is then a warning and a telling off for the people who did it. The mood this sets is a mood of intensity because of it hate for the people who use the children. The authorial intent in this poem is to get across the point that the children are not happy just sad and abused, and the priests arent what they seem to be. The poem is effective in doing this because of its imagery and poetic techniques, the imagery and poetic techniques are effective because the imagery get across the essential parts of what the author wants to say then the techniques emphasise them. Garden of love The subject of this poem is the repression of freedom and the controlling power of the church and how it takes over. The social in justice show is the repression of the people and how they freedom is taken. The injustice that religion brings upon the people is highlighted in this poem by how it takes over with no question against it when the church is meant to present freedom to the people. It also shows the repression of the people by tell us about how everything the people had it take and converted then the conversion is told to be good. The themes in this poem are repression, controlling dominance and injustice these are shown by how no matter what the church does it is never wrong and how the church is unjust by taking things that are to taken. The structure of this poem is a simple three, 4 lined stanza, these stanzas get worst and worst as you go along adding to the meaning of the poem by reflecting what the church does by how the church just does worst and worst things to abuse the people. The rhyming in this poem make the church seems repetitive and the same all the time because the rhyming is repetitive and simple. The poetic techniques that the poem uses are alliteration, repetition and juxtaposition. The alliteration in the poem enhances the effects of the words by having a build up effect. The repetition in the poem is mainly in the last stanza where and is repeat 4 times and again it has a build up effect on the churches injustice to the people. The imagery in the poem is very strong and emotive. Like the flowers being destroyed and juxtaposed against the graves this creates a feeling of anger of how the church come a destroy like and naturally freedom of everything a bring only death and order and even after death things are still order like how graves have a specific set up. The imagery of the chapel is very strict and regimented with its controlling power. Also with the chapel having thou shall not write over the door promote control as it is an order and does not promote freedom it just show that religion is about what you cant do not what you can. The line priests in black gowns walking their rounds this suggests that the priests are corrupt because they were black instead of a pure white like there meant to be. Also the walking there rounds makes them sound like there patrolling the people making sure that they do not fall out of line and do what the priests want. This then adds the controlling effect that the church has. The language and syntax in this are good because the short sentence make the reader feel the controlling presence of the church only allowing a certain amount of words from the author. The language in this poem is effective because the author uses simple word and put them together to make complex meanings like black gowns this suggests evil and corruption, black is also a dominate colour making the church seem even more controlling. The tone of the poem is of anguish the anguish the author has for his special place of freedom and love being taken over and replaced by control and fake love. The mood that the mood creates is disgust for the church of how they could destroy something as pure as the garden of love, and then replace with fake purity shadowed by corruption. The authorial intent of the poem is that the author wants the reader to understand that the church does not enlighten and love but shadow the people with a cold, corrupt binding grip. It is effective in this because of its description of how the church destroys the garden and replaced with total order and darkness.

oral surgery :: essays research papers

Have you ever thought about your future career? I have always wanted to be a surgeon, so I have thought and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and a nd and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and

Is Jesus God

Is Jesus God? Have you ever met a man who is the center of attention wherever he goes? Some mysterious, indefinable characteristic sets him apart from all other men. Well, that's the way it was two thousand years ago with Jesus Christ. But it wasn't merely Jesus' personality that captivated those who heard him. Those who witnessed his words and life tell us that something about Jesus of Nazareth was different from all other men. Jesus' only credentials were himself. He never wrote a book, commanded an rmy, held a political office, or owned property.He mostly traveled within a hundred miles of his village, attracting crowds who were amazed at his provocative words and stunning deeds. Yet Jesus' greatness was obvious to all those who saw and heard him. And while most great people eventually fade into history books, Jesus is still the focus of thousands of books and unparalleled media controversy. And much of that controversy revolves around the radical claims Jesus made about himselfâ € claims that astounded both his followers and his adversaries.It was primarily Jesus' unique claims that caused him to be viewed as a threat by both the Roman authorities and the Jewish hierarchy. Although he was an outsider with no credentials or political powerbase, within three years, Jesus changed the world for the next 20 centuries. Other moral and religious leaders have left an impact †but nothing like that unknown carpenter's son from Nazareth. What was it about Jesus Christ that made the difference? Was he merely a great man, or something more? These questions get to the heart of who Jesus really was.Some believe he was merely a great moral teacher; others believe he was simply the leader of the world's greatest religion. But many believe something far more. Christians believe that God has actually visited us in human form. And they believe the evidence backs that up. After carefully examining Jesus' life and words, former Cambridge professor and skeptic, C. S. Lew is, came to a startling conclusion about him that altered the course of his life. So who is the real Jesus? Many will answer that Jesus was a great moral teacher.As we take a deeper look at the world's most controversial person, we begin by asking: could Jesus have been merely a great moral teacher? Great Moral Teacher? Even those from other religions acknowledge that Jesus was a great moral teacher. Indian leader, Mahatma Gandhi, spoke highly of Jesus' righteous life and profound words. [l] Likewise, Jewish scholar Joseph Klausner wrote, â€Å"It is universally admitted that Christ taught the purest and sublimest ethics which throws the moral precepts and maxims of the wisest men of antiquity far into the shade. â€Å"[2] Jesus'Sermon on the Mount has been called the most superlative teaching of human ethics ever uttered by an individual. In fact, much of what we know today as â€Å"equal rights† actually is the result of Jesus' teaching. Historian Will Durant, a non-Chris tian, said of Jesus that â€Å"he lived and struggled unremittingly for ‘equal rights'; in modern times he would have been sent to Siberia. ‘He that is greatest among you, let him be your Gandhi, have tried to separate Jesus' teaching on ethics from his claims about himself, believing that he was simply a great man who taught lofty moral principles.This was the approach of one of America's Founding Fathers, President Thomas Jefferson, who cut and pasted a copy of the New Testament, removing sections he thought referred to Jesus' deity, while leaving in other passages regarding Jesus' ethical and moral teaching. [4] Jefferson carried around his cut and pasted New Testament with him, revering Jesus as perhaps the greatest moral teacher of all time. In fact, Jefferson's memorable words in the Declaration of Independence were rooted in Jesus' teaching that

Mrs. Dalloway Study Questions

Discussion questions: 1. In the novel â€Å"Mrs. Dalloway† both Clarissa and Septimus repeat a line from Shakespeare, what is the line and what is its importance to the characters? 2. In â€Å"Mrs. Dalloway† Septimus is created as Clarissa’s double, why do you think Woolf did this? 3. How are Clarissa and Septimus alike and how are they different? 4. Woolf uses Clarissa to convey her idea of social class and women’s wole within it; how does she achieve this? 5. WWI is a major part throughout the story. What ways did Woolf show this? . At the end of the novel Clarissa is informed of Septimus’ death. How does she feel about this and why is it important? 7. Who are Sally Seton and Peter Walsh and how does their appearance in the novel help with the plot? 8. Woolf uses a lot of flash backs to move the plot along. Do these flash backs help or hurt the novel? 9. From Woolf’s use of flash backs can you infer what the characters were like before? 10. What was the point of view in the novel? Why do you think Woolf chose this? Excerpt: (pg. 11-14)She would not say of any one in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fraulein Daniels gave them she could not think.She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that. Her only gift was knowing people almost by instinct, she thought, walk ing on. If you put her in a room with someone, up went her back like a cat's; or she purred. Devonshire House, Bath House, the house with the china cockatoo, she had seen them all lit up once; and remembered Sylvia, Fred, Sally Seton — such hosts of people; and dancing all night; and the waggons plodding past o market; and driving home across the Park. She remembered once throwing a shilling into the Serpentine. But every one remembered; what she loved was this, here, now, in front of her; the fat lady in the cab. Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? ut that somehow in the streets of London, on the ebb and flow of things, here, there, she survived, Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly, ram bling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself. But what was she dreaming as she looked into Hatchards' shop window? What was she trying to recover?What image of white dawn in the country, as she read in the book spread open: Fear no more the heat o' the sun Nor the furious winter's rages. This late age of the world's experience had bred in them all, all men and women, a well of tears. Tears and sorrows; courage and endurance; a perfectly upright and stoical bearing. Think, for example, of the woman she admired most, Lady Bexborough, opening the bazaar. There were Jorrocks' Jaunts and Jollities; there were Soapy Sponge and Mrs. Asquith's Memoirs and Big Game Shooting in Nigeria, all spread open.Ever so many books there were; but none that seemed exactly right to take to Evelyn Wh itbread in her nursing home. Nothing that would serve to amuse her and make that indescribably dried-up little woman look, as Clarissa came in, just for a moment cordial; before they settled down for the usual interminable talk of women's ailments. How much she wanted it — that people should look pleased as she came in, Clarissa thought and turned and walked back towards Bond Street, annoyed, because it was silly to have other reasons for doing things. Much rather would she have been one of those eople like Richard who did things for themselves, whereas, she thought, waiting to cross, half the time she did things not simply, not for themselves; but to make people think this or that; perfect idiocy she knew (and now the policeman held up his hand) for no one was ever for a second taken in. Oh if she could have had her life over again! She thought, stepping on to the pavement, could have looked even differently! She would have been, in the first place, dark like Lady Bexborough , with a skin of crumpled leather and beautiful eyes.She would have been, like Lady Bexborough, slow and stately; rather large; interested in politics like a man; with a country house; very dignified, very sincere. Instead of which she had a narrow pea-stick figure; a ridiculous little face, beaked like a bird's. That she held herself well was true; and had nice hands and feet; and dressed well, considering that she spent little. But often now this body she wore (she stopped to look at a Dutch picture), this body, with all its capacities, seemed nothing — nothing at all.She had the oddest sense of being herself invisible, unseen; unknown; there being no more marrying, no more having of children now, but only this astonishing and rather solemn progress with the rest of them, up Bond Street, this being Mrs. Dalloway; not even Clarissa anymore; this being Mrs. Richard Dalloway. Multiple choice questions for excerpt: 1. What is the attitude throughout the passage? a. Negative tow ard her future. b. Hopeful for her future. c. Positive toward her past. d. Resentful of the choices of her past. 2. Which of the following best describes the purpose of the passage? . To show Clarissa’s hopefulness for the future. b. To show Clarissa’s longing for acceptance and importance in high class society. c. To show how Clarissa wants to help the elderly. d. To show Clarissa’s admiration for Mrs. Bexborough. 3. Clarissa talks about Mrs. Bexborough to show: a. How she wants to be portrayed in society. b. How much she dislikes her. c. How they are alike. d. How they are different. 4. It can be inferred from the passage that which of the following qualities is most important to the speaker: a. Independence. b. Being man- like. . Dressing well. d. Respect. 5. In the passage what does Woolf mean by â€Å"did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that d eath ended absolutely? † a. That life goes on after death. b. That she finds comfort in the fact that death stops all human problems, but resents the fact use lose the pleasures also. c. That she is scared of death. d. That none of the things she has done matter after death. Essay prompt for novel: Woolf’s writing style in Mrs.Dalloway is described as â€Å"stream of consciousness,† why do you think Woolf chose this writing style for the novel and would it be less effective if it were written in a different style? The Yellow Wallpaper by: Charlotte Perkins Gilman It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity–but that would be asking too much of fate! Still I will proudly declare that there is something queer about it.Else, why should it be let so cheaply? And why have stood so long untenan ted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and perhaps–(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)–perhaps that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do?If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression–a slight hysterical tendency– what is one to do? My brother is also a physician, and also of high standing, and he says the same thing. So I take phosphates or phosphites–whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to â€Å"work† until I am well again. Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good.But what is one to do? I did write for a while in spite of them; but it does exhaust me a good deal–having to be so sly about it, or else meet with heavy opposition. I sometimes fancy that in my condition if I had less opposition and more society and stimulus–but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad. So I will let it alone and talk about the house. The most beautiful place! It is quite alone standing well back from the road, quite three miles from the village.It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people. There is a delicious garden! I never saw such a garden–large and shady, full of box-bordered paths, and lin ed with long grape-covered arbors with seats under them. There were greenhouses, too, but they are all broken now. There was some legal trouble, I believe, something about the heirs and coheirs; anyhow, the place has been empty for years. That spoils my ghostliness, I am afraid, but I don't care–there is something strange about the house–I can feel it.I even said so to John one moonlight evening but he said what I felt was a draught, and shut the window. I get unreasonably angry with John sometimes I'm sure I never used to be so sensitive. I think it is due to this nervous condition. But John says if I feel so, I shall neglect proper self-control; so I take pains to control myself– before him, at least, and that makes me very tired. I don't like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! but John would not hear of it.He said there was only one window and not room for two beds, and no near room for him if he took another. He is very careful and loving, and hardly lets me stir without special direction. I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more. He said we came here solely on my account, that I was to have perfect rest and all the air I could get. â€Å"Your exercise depends on your strength, my dear,† said he, â€Å"and your food somewhat on your appetite; but air you can absorb all the time. So we took the nursery at the top of the house. It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys' school had used it. It is stripped off–the paper in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide–plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others.No wonder the children hated it! I should hate it myself if I had to live in this room long. There comes John, and I must put this away,–he hates to have me write a word. ———- We have been here two weeks, and I haven't felt like writing before, since that first d ay. I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please, save lack of strength. John is away all day, and even some nights when his cases are serious. I am glad my case is not serious! But these nervous troubles are dreadfully depressing.John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him. Of course it is only nervousness. It does weigh on me so not to do my duty in any way! I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already! Nobody would believe what an effort it is to do what little I am able,–to dress and entertain, and order things. It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous.I suppose John never was nervous in his life. He laughs at me so about this wall-paper! At first he meant to repaper the room, but afterwards he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies. He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on. â€Å"You know the place is doing you good,† he said, â€Å"and really, dear, I don't care to renovate the house just for a three months' rental. â€Å"Then do let us go downstairs,† I said, â€Å"there are such pretty rooms there. † Then he took me in his arms and called me a blessed little goose, and said he would go down to the cellar, if I wished, and have it whitewashed into the bargain. But he is right enough about the beds and windows and things. It is an airy and comfortable room as any one need wish, and, of course, I would not be so silly as to make him uncomfortable just for a whim. I'm really getting quite fond of the big room, all but that horrid paper.Out o f one window I can see the garden, those mysterious deepshaded arbors, the riotous old-fashioned flowers, and bushes and gnarly trees. Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, nd that I ought to use my will and good sense to check the tendency. So I try. I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me. But I find I get pretty tired when I try. It is so discouraging not to have any advice and companionship about my work. When I get really well, John says we will ask Cousin Henry and Julia down for a long visit; but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now. I wish I could get well faster. But I must not think about that.This paper looks to me as if it knew what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down. I get positively angry with the impertinence of it and the everlastingness. Up and down and sideways they crawl, and those absurd, unblinking eyes are everywhere There is one place where two breaths didn't match, and the eyes go all up and down the line, one a little higher than the other. I never saw so much expression in an inanimate thing before, and we all know how much expression they have!I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store. I remember what a kindly wink the knobs of our big, old bureau used to have, and the re was one chair that always seemed like a strong friend. I used to feel that if any of the other things looked too fierce I could always hop into that chair and be safe. The furniture in this room is no worse than inharmonious, however, for we had to bring it all from downstairs. I suppose when this was used as a playroom they had to take the nursery things out, and no wonder!I never saw such ravages as the children have made here. The wall-paper, as I said before, is torn off in spots, and it sticketh closer than a brother–they must have had perseverance as well as hatred. Then the floor is scratched and gouged and splintered, the plaster itself is dug out here and there, and this great heavy bed which is all we found in the room, looks as if it had been through the wars. But I don't mind it a bit–only the paper. There comes John's sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing.She is a perfect and enthusiastic housekeepe r, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick! But I can write when she is out, and see her a long way off from these windows. There is one that commands the road, a lovely shaded winding road, and one that just looks off over the country. A lovely country, too, full of great elms and velvet meadows. This wall-paper has a kind of sub-pattern in a, different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then.But in the places where it isn't faded and where the sun is just so–I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design. There's sister on the stairs! ———- Well, the Fourth of July is over! The people are all gone and I am tired out. John thought it might do me good to see a little company, so we just had mother and Nellie and the children down for a week. Of course I didn't do a thing. Jennie sees to everything now. But it tired me all the same. John says if I don't pick up faster he shall send me to Weir Mitchell in the fall.But I don't want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother, only more so! Besides, it is such an undertaking to go so far. I don't feel as if it was worth while to turn my hand over for anything, and I'm getting dreadfully fretful and querulous. I cry at nothing, and cry most of the time. Of course I don't when John is here, or anybody else, but when I am alone. And I am alone a good deal just now. John is kept in town very often by serious cases, and Jennie is good and lets me alone when I want her to.So I walk a little in the garden or down that lovely lane, sit on the porch under the roses, and lie down up here a good deal. I'm getting really fond of the room in spite of the wall-paper. Perhaps because of the wall-paper. It dwells in my mind so! I lie h ere on this great immovable bed–it is nailed down, I believe–and follow that pattern about by the hour. It is as good as gymnastics, I assure you. I start, we'll say, at the bottom, down in the corner over there where it has not been touched, and I determine for the thousandth time that I will follow that pointless pattern to some sort of a conclusion.I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I ever heard of. It is repeated, of course, by the breadths, but not otherwise. Looked at in one way each breadth stands alone, the bloated curves and flourishes–a kind of â€Å"debased Romanesque† with delirium tremens–go waddling up and down in isolated columns of fatuity. But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase.The whole thing goes horizontally, too, at least it seems so, and I exhaust myself in trying to distinguish the order of its going in that direction. They have used a horizontal breadth for a frieze, and that adds wonderfully to the confusion. There is one end of the room where it is almost intact, and there, when the crosslights fade and the low sun shines directly upon it, I can almost fancy radiation after all,–the interminable grotesques seem to form around a common centre and rush off in headlong plunges of equal distraction. It makes me tired to follow it.I will take a nap I guess. ———- I don't know why I should write this. I don't want to. I don't feel able. And I know John would think it absurd. But I must say what I feel and think in some way–it is such a relief! But the effort is getting to be greater than the relief. Half the time now I am awfully lazy, and lie down ever so much. John says I mustn't lose my strength, and h as me take cod liver oil and lots of tonics and things, to say nothing of ale and wine and rare meat. Dear John! He loves me very dearly, and hates to have me sick.I tried to have a real earnest reasonable talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished . It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose. And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head.He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well. He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me. The re's one comfort, the baby is well and happy, and does not have to occupy this nursery with the horrid wall-paper. If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds.I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see. Of course I never mention it to them any more–I am too wise,–but I keep watch of it all the same. There are things in that paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder–I begin to think–I wish John would take me away from here! ———-It is so hard to talk with John about my case, because he is so w ise, and because he loves me so. But I tried it last night. It was moonlight. The moon shines in all around just as the sun does. I hate to see it sometimes, it creeps so slowly, and always comes in by one window or another. John was asleep and I hated to waken him, so I kept still and watched the moonlight on that undulating wall-paper till I felt creepy. The faint figure behind seemed to shake the pattern, just as if she wanted to get out. I got up softly and went to feel and see if the paper did move, and when I came back John was awake. â€Å"What is it, little girl? he said. â€Å"Don't go walking about like that–you'll get cold. † I thought it was a good time to talk, so I told him that I really was not gaining here, and that I wished he would take me away. â€Å"Why darling! † said he, â€Å"our lease will be up in three weeks, and I can't see how to leave before. â€Å"The repairs are not done at home, and I cannot possibly leave town just now. Of cou rse if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better, I feel really much easier about you. â€Å"I don't weigh a bit more,† said 1, â€Å"nor as much; and my appetite may be better in the evening when you are here, but it is worse in the morning when you are away! † â€Å"Bless her little heart! † said he with a big hug, â€Å"she shall be as sick as she pleases! But now let's improve the shining hours by going to sleep, and talk about it in the morning! † â€Å"And you won't go away? † I asked gloomily. â€Å"Why, how can 1, dear? It is only three weeks more and then we will take a nice little trip of a few days while Jennie is getting the house ready. Really dear you are better! â€Å"Better in body perhaps–† I began, and stopped short, for he sat up straight and looked at me with su ch a stern, reproachful look that I could not say another word. â€Å"My darling,† said he, â€Å"I beg of you, for my sake and for our child's sake, as well as for your own, that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so? † So of course I said no more on that score, and we went to sleep before long.He thought I was asleep first, but I wasn't, and lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately. ———- On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind. The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing. You think you have mastered it, but just as you get well unde rway in following, it turns a back somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you.It is like a bad dream. The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions–why, that is something like it. That is, sometimes! There is one marked peculiarity about this paper, a thing nobody seems to notice but myself, and that is that it changes as the light changes. When the sun shoots in through the east window–I always watch for that first long, straight ray–it changes so quickly that I never can quite believe it. That is why I watch it always.By moonlight–the moon shines in all night when there is a moon–I wouldn't know it was the same paper. At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside patt ern I mean, and the woman behind it is as plain as can be. I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman. By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour. I lie down ever so much now. John says it is good for me, and to sleep all I can.Indeed he started the habit by making me lie down for an hour after each meal. It is a very bad habit I am convinced, for you see I don't sleep. And that cultivates deceit, for I don't tell them I'm awake–O no! The fact is I am getting a little afraid of John. He seems very queer sometimes, and even Jennie has an inexplicable look. It strikes me occasionally, just as a scientific hypothesis,–that perhaps it is the paper! I have watched John when he did not know I was looking, and come into the room suddenly on the most innocent excuses, and I've caught him several tim es looking at the paper! And Jennie too.I caught Jennie with her hand on it once. She didn't know I was in the room, and when I asked her in a quiet, a very quiet voice, with the most restrained manner possible, what she was doing with the paper–she turned around as if she had been caught stealing, and looked quite angry– asked me why I should frighten her so! Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John's, and she wished we would be more careful! Did not that sound innocent? But I know she was studying that pattern, and I am determined that nobody shall find it out but myself! ———-Life is very much more exciting now than it used to be. You see I have something more to expect, to look forward to, to watch. I really do eat better, and am more quiet than I was. John is so pleased to see me improve ! He laughed a little the other day, and said I seemed to be flourishing in sp ite of my wall-paper. I turned it off with a laugh. I had no intention of telling him it was because of the wall-paper–he would make fun of me. He might even want to take me away. I don't want to leave now until I have found it out. There is a week more, and I think that will be enough. ———- I'm feeling ever so much better!I don't sleep much at night, for it is so interesting to watch developments; but I sleep a good deal in the daytime. In the daytime it is tiresome and perplexing. There are always new shoots on the fungus, and new shades of yellow all over it. I cannot keep count of them, though I have tried conscientiously. It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw–not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper– the smell! I noticed it the moment we came into the room, but with so much air and sun it was not bad.Now we have had a week of fog and rain, and whether the windows are open or not, the smell is here. It creeps all over the house. I find it hovering in the dining-room, skulking in the parlor, hiding in the hall, lying in wait for me on the stairs. It gets into my hair. Even when I go to ride, if I turn my head suddenly and surprise it–there is that smell! Such a peculiar odor, too! I have spent hours in trying to analyze it, to find what it smelled like. It is not bad–at first, and very gentle, but quite the subtlest, most enduring odor I ever met. In this damp weather it is awful, I wake up in the night and find it hanging over me.It used to disturb me at first. I thought seriously of burning the house–to reach the smell. But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell. There is a very funny mark on this wall, low down, near the mopboard. A streak that runs round the room. It goes behind every piece of furniture, except the bed, a long, straight, even smooch, as if it had been rubbed over and over. I wonder how it was done and who did it, and what they did it for. Round and round and round–round and round and round–it makes me dizzy! ———-I really have discovered something at last. Through watching so much at night, when it changes so, I have finally found out. The front pattern does move–and no wonder! The woman behind shakes it! Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over. Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard. And she is all the time trying to climb through. But nobody could climb through that pattern–it strangles so; I think that is why it has so many heads.They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white! If those heads were covered or taken off it would not be half so bad. ———- I think that woman gets out in the daytime! And I'll tell you why–privately–I've seen her! I can see her out of every one of my windows! It is the same woman, I know, for she is always creeping, and most women do not creep by daylight. I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines. I don't blame her a bit.It must be very humiliating to be caught creeping by daylight! I always lock the door when I creep by daylight. I can't do it at night, for I know John would suspect something at once. And John is so queer now, that I don't want to irritate him. I wish he would take another room! Besides, I don't want anybody to get that woman out at night but myself. I often wonder if I could see her out of all the windows at once. But, turn as fast as I can, I can only see out of one at one time. And though I always see her, she may be able to creep faster than I can turn!I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind. ———- If only that top pattern could be gotten off from the under one! I mean to try it, little by little. I have found out another funny thing, but I shan't tell it this time! It does not do to trust people too much. There are only two more days to get this paper off, and I believe John is beginning to notice. I don't like the look in his eyes. And I heard him ask Jennie a lot of professional questions about me. She had a very good report to give. She said I slept a good deal in the daytime.John knows I don't sleep very well at night, for all I'm so quiet! He asked me all sorts of questions, too, and pretended to be very loving and kind. As if I couldn't see through him! Still, I don't wonder he acts so, sleeping under this paper for three months. It only interests me, but I feel sure John and Jennie are secretly affected by it. ———- Hurrah! This is the last day, but it is enough. John to stay in town over night, and won't be out until this evening. Jennie wanted to sleep with me–the sly thing! but I told her I should undoubtedly rest better for a night all alone. That was clever, for really I wasn't alone a bit!As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper. A strip about as high as my head and half around the room. And then when the sun came and that awful pattern began to laugh at me, I declared I would finish it to-day! We go away to-morrow, and they are moving all my furniture down again to leave things as they were before. Jennie looked at the wall in amazement, but I told her merrily that I did it out of pure spite at the vicious thing.S he laughed and said she wouldn't mind doing it herself, but I must not get tired. How she betrayed herself that time! But I am here, and no person touches this paper but me,–not alive ! She tried to get me out of the room–it was too patent! But I said it was so quiet and empty and clean now that I believed I would lie down again and sleep all I could; and not to wake me even for dinner–I would call when I woke. So now she is gone, and the servants are gone, and the things are gone, and there is nothing left but that great bedstead nailed down, with the canvas mattress we found on it.We shall sleep downstairs to-night, and take the boat home to-morrow. I quite enjoy the room, now it is bare again. How those children did tear about here! This bedstead is fairly gnawed! But I must get to work. I have locked the door and thrown the key down into the front path. I don't want to go out, and I don't want to have anybody come in, till John comes. I want to astonish him. I've got a rope up here that even Jennie did not find. If that woman does get out, and tries to get away, I can tie her! But I forgot I could not reach far without anything to stand on!This bed will not move! I tried to lift and push it until I was lame, and then I got so angry I bit off a little piece at one corner–but it hurt my teeth. Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled heads and bulbous eyes and waddling fungus growths just shriek with derision! I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise, but the bars are too strong even to try. Besides I wouldn't do it. Of course not.I know well enough that a step like that is improper and might be misconstrued. I don't like to look out of the windows even– there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall -paper as I did? But I am securely fastened now by my well-hidden rope–you don't get me out in the road there ! I suppose I shall have to get back behind the pattern when it comes night, and that is hard! It is so pleasant to be out in this great room and creep around as I please! I don't want to go outside. I won't, even if Jennie asks me to.For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way. Why there's John at the door! It is no use, young man, you can't open it! How he does call and pound! Now he's crying for an axe. It would be a shame to break down that beautiful door! â€Å"John dear! † said I in the gentlest voice, â€Å"the key is down by the front steps, under a plantain leaf! † That silenced him for a few moments. Then he said–very quietly indeed, â€Å"Open the door, my darling ! â€Å"I can't,† said I. â€Å"The key is down by the front door under a plantain leaf! † And then I said it again, several times, very gently and slowly, and said it so often that he had to go and see, and he got it of course, and came in. He stopped short by the door. â€Å"What is the matter? † he cried. â€Å"For God's sake, what are you doing! † I kept on creeping just the same, but I looked at him over my shoulder. â€Å"I've got out at last,† said I, â€Å"in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back! † Now why should that man have fainted?But he did, and right across my path by the wall, so that I had to creep over him every time! The story of an hour by: Kate Chopin Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death. It was her sister Josephine who told her, in broken sentences; veiled h ints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of â€Å"killed. He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message. She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her. There stood, facing the open window, a comfortable, roomy armchair.Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul. She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams. She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought. There was something coming to her and she was waiting for it, fearfu lly. What was it?She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air. Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will–as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under hte breath: â€Å"free, free, free! † The vacant stare and the look of terror that had followed it went from her eyes.They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body. She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination. And yet she had loved him–sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! Free! Body and soul free! † she kept whispering. Jos ephine was kneeling before the closed door with her lips to the keyhold, imploring for admission. â€Å"Louise, open the door! I beg; open the door–you will make yourself ill. What are you doing, Louise? For heaven's sake open the door. † â€Å"Go away. I am not making myself ill. † No; she was drinking in a very elixir of life through that open window. Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long.It was only yesterday she had thought with a shudder that life might be long. She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom. Some one was opening the front door with a latchkey. It was Br ently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one.He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife. When the doctors came they said she had died of heart disease–of the joy that kills. Essay prompt for short story: In the short story â€Å"the story of an hour† Chopin uses the word ‘open’ repeatedly, why do you think this and what is the significance of it? Lady Lazarus by Sylvia Plath I have done it again. One year in every ten I manage it– A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy.Do I terrify? — The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will b e At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot– The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident.The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: ‘A miracle! ‘ That knocks me out. There is a charge For the eyeing of my scars, there is a chargeFor the hearing of my heart– It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash– You poke and stir. Flesh, bone, there is nothing there– A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. Daddy by: Sylvia Plath You do not do, you do not doAny more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time– Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where youPut your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gipsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustacheAnd your Aryan eye, bright blue. Panzer-man, panzer-man, O You– Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue.And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two– The vampire who said he was you And drank my blood for a year, Seven years, if you wa nt to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through.Lets hear it for the women The women oppressed by: Francis Duggan Lets hear it for women the women oppressed In patriarchal societies their human rights are transgressed By male religious zealots who hate woman kind For to trample on women's rights any excuse they will find. Lets hear it for the women who never receive a fair go Of equality in their lives they never may know They are seen as inferior where males reign supreme And this can do little for their self esteem. Lets hear it for the women who must play second fiddle to men Where to be born a female means one cannot win Promotion in work or promotion in lifeTo an arrogant and an unfaithful man expected to be a good wife. Lets hear it for women the women men do rule And many males in positions of power can b e cruel The mothers of the children in life the hardest role Equality they need and not male control. P. O. W (Poor Oprressed Women) by: Sama Wareh Hello oppressed, With that scarf around your head, That you surely must dread, Aren't you hot? Can't you see it's sunny, Aren't your ears cold, They try to be funny, But some seriously suggest, That I am oppressed, Because I can't flaunt what I got, And they look at the way that I'm dressed, All covered up, From head to toe,How am I to attract the men, Without a little show? So I tell them, I'm oppressed, Because men can't see past the fabric? They are stuck with a conversation And a brain to pick, I flaunt, Yes I do, My personality is what I flaunt, I swear, it's true, I aint no object In men's desire, Nor am I a curve size, Because I have attire, And they tell me, Well, you were forced, Obviously, Your dad had a belt, And so you agreed, No, it was my choice, I did agree, In fact, After I did cover up, Men stopped checking out my behind , And started looking at who I am on the inside, And after I did, Respect came my way,Heads didn't turn lolling as I passed men's way, But I guess some like that attention, And women, This isn't a stab at you, I'm just expressing my point of view, After dealing with stereotypes of what people tell me I am, I can even see it in their eyes, Like my attire should be banned, And especially older women, Look at me with pity, Poor child, I wish I could help her and show her the way, Cause according to Fox tv, they've gone astray, Poor abused women, dressed in black, Can't those mean men cut them a little slack? But to their surprise, I choose to wear it, To me its freedom, Freedom from fashion implications,Telling you how to talk, dress and look, Advertising the new trend, To get you on the hook, Of being what the fashion industry can make money off of, I wear what I want and dress to impress, Myself and God, And nobody else, I wear pants and I wear skirts, I wear socks and long shirts, A nd if my name callers aren't happen with that, Then come and liberate me, Which in now a day's terms, Means kill me. Discussion questions for the poems: 1. In the poems â€Å"Lets Hear It For Women The Women Oppressed† and â€Å"P. O. W (Poor Oppressed Woman),† there are two different views on women’s oppression. What are these views? 2. In the poem â€Å"P. O.W (Poor Oppressed Women)†, what image does Wareh portray throughout? What words make you think this? 3. In the poem â€Å"Lady Lazarus,† Plath refers to herself as a cat with nine times to die, why do you think she chose these words and what is the importance of them? 4. After reading â€Å"lets hear it for the women the women oppressed,† what do you think Duggan’s view on women’s oppression is and how does she convey this in her poem? 5. After reading â€Å"P. O. W (Poor Oppressed Women),† how do you think Wareh views oppression and how does she show this in her p oem? 6. In â€Å"Lady Lazarus,† what images does Plath use and how are they effective? . In the poem â€Å"Daddy† by Sylvia Plath, Plath uses the word ‘daddy’ instead of ‘father’, do you think this changes the way the reader views the poem? How? 8. In the poem â€Å"Daddy,† could ‘daddy’ be something besides her father? How? 9. In the poem â€Å"Lady Lazarus,† Plath chooses the word ‘Miracle’, in what tone do you think she used this? 10. In â€Å"Lets hear it for the women the women oppressed,† how do you think Duggan’s word chose sets the mood for the poem? Thomas 1 Kelley Thomas Ms. Flara AP English IV October 22, 2012 The theme of Women’s oppression and how it is viewed by Clarissa I read the novel â€Å"Mrs. Dalloway† by: Virginia Woolf.There are many themes throughout this novel but while reading it one was most apparent and that is the theme of Women’s oppression and how it is viewed by the Clarissa. Woolf uses the novel to show how she feels about society and oppression, especially toward women. The social setting and time period set the mood for this theme. London is returning to its social normalcies and women are moving back toward being housewives instead of working in munitions factories. She often shows her dislike of this through Clarissa. It has become a sort of way of life for her and she doesn’t truly notice she is even a part of it.

Comparison of the Individual in Freuds Civilization and Its Discontents, Bufords Among the Thugs and Weirs The Truman Show

Comparison of the Individual in Freuds Civilization and Its Discontents, Bufords Among the Thugs and Weirs The Truman Show What is exactly is an individual? Dictionary.com defines an individual as follows:in*di*vid*u*aladj.a.Marked by or expressing individuality; distinctive or individualisticb.Special; particularc.Serving to identify or set apart (Dictionary.com)According to the dictionary, an individual is unique and therefore should be able to be set apart from others without much difficulty. The question at hand now is, does civilization remove the identifying aspects of unique individuals and mesh them into one similar entity? Throughout the literary works of Bill Buford and Sigmund Freud, as well as the film directed by Peter Weir, this question is met and answered. In Civilization and Its Discontents, Freud places particular stress on the fact that the individual cannot find pure happiness when placed in a civilization because it demands different things than that of the individual. Like Freud, director Peter Weir in his film, The Truman Show depicts Truman battling to find his own unique individu ality in a staged utopian civilization.Sigmund FreudBill Buford uses his book, Among the Thugs, to demonstrate how a civilization, which in his book is mainly symbolized by a violent mob, dissolves individual identity. His work shows how a civilization of individuals can accomplish things never thought capable of being done alone. Freud's work implies that individuality poses a conflict with civilization demands and therefore civilization should be abandoned. Along with Freud, Wier focuses on Truman's struggles between his fake life and his individual dreams. Buford, writes about his struggles and pressures to join somewhat of a civilization and focuses on demonstrating the transition of an individual into an altered and somewhat forced character demanded by a surrounding society.In Civilization and Its Discontents, Freud states his views on the broad question of man's place in the world. Freud characterizes the world as an...

resevoir dogs essays

resevoir dogs essays "I don't give a fuck what you know or don't know, but I'm gonna torture you anyway, regardless. Not to get information. It's so amusing for me to torture a cop. All you can do is pray for a quick death, which you This guy was the most twisted and sickly perverted guy in the whole movie. He had no reservations about killing people. He was brutal. He loved torture and death. By his own admission he liked to see the peoples' expressions when they died. He was totally ruthless. He had no conscience. I can't really explain why I liked this character so much. I don't EVER want to be like him or do the things he did. There was just something attractive about all his negative personality traits. Before he really getting into torturing the cop, he casually turns on the radio as if he some music to accompany the grizzly acts he was about to commit. He was a man who insisted on having total control. He liked controlling situations and people. When they were in the jewelry store he advised the employees not to hit the alarm. When they did, he started them. This was his way of regaining control of the situation. At the same he was acting out this concept, he was actually totally out of control. He went fucking crazy in the store. He slaughtered the people lined up in the store like he was shooting clay ducks in a local carnival shooting gallery. I know this is a contradiction, but Mr. Blonde was a contradiction of himself. He had double standards. He hated the cop just because he was a cop. He didn't recognize him as a real person. Mr. Pink and Mr. White confirm this at the warehouse when they discuss him shooting REAL people, which cops are not. They say he just went crazy. They seemed to fear his craziness. His calm facade was a cover for the monstrous things he did to ...

3 Cases of Erroneous Punctuation with Quotations

3 Cases of Erroneous Punctuation with Quotations 3 Cases of Erroneous Punctuation with Quotations 3 Cases of Erroneous Punctuation with Quotations By Mark Nichol In each of the following sentences, punctuation associated with a quoted phrase or a partial or full quotation is not appropriate. Discussion after each example explains why the punctuation should either be changed or omitted altogether, and one or more revisions illustrate correct treatment of the quoted material. 1. The old saying, â€Å"What gets rewarded gets done,† is as true with risk management as with any other business process. The phrase â€Å"the old saying† should not be treated restrictively- â€Å"What gets rewarded gets done† is not the only old saying; it is being described as an old saying- so omit punctuation between the phrase and the saying itself: â€Å"The old saying ‘What gets rewarded gets done’ is as true with risk management as with any other business process.† 2. The company responded in a statement Friday that the newspaper article showed, â€Å"a complete disregard for basic journalistic standards.† Because the partial quotation complements the attribution to complete a sentence that requires no internal punctuation, do not use such punctuation to separate the attribution and the quotation: â€Å"The company responded in a statement Friday that the newspaper article showed ‘a complete disregard for basic journalistic standards.’† 3. â€Å"I would like to do a college fund for him, it’s not the kid’s fault,† he said. Regardless of whether such a sentence is a quotation or not, the use of a mere comma to separate two independence clauses without the support of a conjunction is incorrect: â€Å"’I would like to do a college fund for him; it’s not the kid’s fault,’ he said.† However, using a semicolon in a quotation has always seemed stiffly formal to me; simply as a personal preference, I would use a more dashing punctuation mark: â€Å"’I would like to do a college fund for him- it’s not the kid’s fault,’ he said.† Another alternative is to insert the attribution between the two clauses, treating them as separate sentences: â€Å"‘I would like to do a college fund for him,’ he said. ‘It’s not the kid’s fault.’† Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Punctuation category, check our popular posts, or choose a related post below:7 Types of Narrative ConflictEmail Etiquette7 Other Types of Pronouns

The Importance of Processes in Reverse Logistics Essay

The Importance of Processes in Reverse Logistics - Essay Example least cost and highest efficiency). A reverse logistics operation is considerably different from forward logistics. It must establish convenient collection points to receive the used goods from the final customer or remove assets from the supply chain so that more efficient use of inventory / material overall can be achieved. It requires packaging and storage systems that will ensure that most of the value still remaining in the used good is not lost due to careless handling. It often requires the development of a transportation mode that is compatible with existing forward logistic system. Disposition can include returning assets into inventory pools or warehouses for storage, returning goods to the original manufacturer for reimbursement, selling goods on a secondary market, recycling assets, or a combination that will yield maximum value for the assets in question. Reverse logistics, simply put, comprise all activities associated with a product/service after the point of sale, the ultimate goal to optimize or make more efficient aftermarket activity thus saving money. However, easy as it may looks , the processes involved requires a large degree of considerations coupled with careful planning. Speed of retrieval is the primary measure of efficiency and ... Speed of retrieval is the primary measure of efficiency and the choice of the method of transportation is the primary determinant of speed. Unlike in the distribution system where deliveries are made to stationary locations, retrieval would often require door-to-door visits. This is especially a problem in hard to access areas where travel would be tedious and costly. A decision has to be made on what method would be efficient. It may require a combination of measures such as carriers (trucks) for aggregate acquisition and vans/ordinary passenger vehicle for unit acquisition. Now what was stated above is only the acquisition part. There is also the delivery of the warehoused materials to the processing site. Since transportation will now be in terms of aggregate terms, a carrier must be assigned. In all these process, there is the possibility of problems suddenly appearing. In some case, carriers may always experience breakdowns or may get lost from trying to find the retrieval point. This would generally lead to higher costs as maintenance and fuel expenditures become large. Transportation may be outsourced and these would generally necessitate an analysis of current market rates. Again, the efficiency of the carrier should be evaluated as they may prove to be too costly for hiring and ineffective for the planned process. Warehousing A logistician's main problem in warehousing Returned products is how to store them until a decision is made on what to do with them. The returned products will require space - that is a fact that every logistician should realize and the firm can not relegate the storage of returning products to others in a way they can when they are distributing new products. Additional space would mean additional cost of handling to the

Kia motors corporation sustainability and human resources Essay

Kia motors corporation sustainability and human resources - Essay Example This paper utilised Sustainability Life Cycle Assessment (SLCA) framework in assessing KIA Motors sustainability and human resource managements. Although there is still much to be done by KIA in order to realise full sustainability, the company has proved to have put some measures that would help it towards this effect. Introduction It is apparent that, in every business, sustainability is an ingredient and key to success. However, this does not just come without deliberate attempts by organisations to strategically develop and maintain the sustainability. In light with this, organisations have to analyse the required tools that would help to maintain the sustainability. Basically, sustainability does not come as a single pack of ideas; it involves incorporation of various concepts of business management. Notably, Galea1 (35-48), noted that these range from setting organisation’s objectives, mission and vision statements, effective human resource management, and appropriate st rategic plans to keep and oversee efficient running of the organisation. In assessing firms’ sustainability and human resource, various frameworks may be employed towards this effect. ... In relation to KIA Motors Corporation, this paper is going to utilise Sustainability Life Cycle Assessment (SLCA) framework. SLCA tools are based on the framework for strategic sustainable development. The evaluation system for KIA will be set against the life cycle stages of KIA products, corporate social responsibility, and human resource management. KIA human resources According to KIA website1, the company has been able to thrive in the market as a result of â€Å"the leadership of ambitious and industry-focused management team who play an imperative role in the day-to-day activities in growing the brand around the world.† According to literatures, any company that needs to maintain its competitive advantage has to have a proficient and result oriented workforce. However, this is abroad concept that incorporates several aspects of leadership. Firstly, according to Galea1 (35-48), employees are one of the primary assets of any organisation. Nevertheless, for employees to be able to deliver top results there must be an effective management team to oversee effective and smooth running of the organisation. Arguably, KIA has been able to recognise and employed that concept in its operations. According to Stuart 7 (59-83), there has been a transformation for capitalism from old capitalism to modern capitalism. However, today’s capitalism is faced with challenges such as environmental change, economic inequity, and financial meltdown, which organisations must address in order to maintain sustainability. In light with this, KIA can be argued to have put that into consideration when defining its sustainability model. In essence, in order to counter the above challenges, an organisation should have strategies put in place. One of these strategies is to have

Classical Era Reflection Paper (Evolution of Management Class) Essay

Classical Era Reflection Paper (Evolution of Management Class) - Essay Example Furthermore, the paper includes discussion on scientific management principles as well as their significance in the activities of today’s managers. Over the years all these theories have been greatly practiced in different workplaces throughout the world. One of the major objectives of discussing these theories is helping the today’s managers so that they can utilize their capabilities in the best possible ways. In addition to these, the paper also includes disadvantages of using these theories. As a result, it is expected that this paper is going to be very useful for the managers in making effective decisions in their career. Classical Era and It’s Impact The basic concept of management is one of the oldest concepts in the world. Individuals and organizations have been using the core concepts of management over the past few centuries throughout the world. Without proper management wars could not be won. Even the wonders of this world and the process in which th ey are built, reflect the fact that ‘management principles’ were greatly in use even in the past. However, there was lack of written formats of the core principles of management. The classical era of management started from 1880 and it lasted till 1930. Prior to this classical era there was pre-scientific era of management that started from 1000 and lasted till the beginning the classical era (Singh, 2009). During classical era general management theories started to evolve. Two of the main thrusts were scientific management and administrative theory. Famous French industrialist, Henri Fayol can be called as the father of administrative theory. He came up with five functions of management and 14 universal principles (Singh, 2009). On the other hand, scientific management came in the picture in 1900 (Singh, 2009). Basically it is the advanced edition of systematic management which was proposed with the purpose of solving the managers’ problems regarding the demand of consumers (Russell & Taylor, 2006). The partial failure of systematic management principles resulted in the origination of scientific management. Scientific management can be defined as the â€Å"management which conducts a business or affairs by standards established by facts or truths gained through systematic observation, experiment or reasoning† (Kreitner, 2006). Frederick Taylor is known to be the father of this type of management. Taylor was able to improve the individual outputs significantly by conducting ‘task and time study’ and developing ‘piece-rate incentive systems’. He also used systematic training and selection process. His main objective was to make the behavior and attitude in the workplaces as predictable and as stable as possible, because predictable and stable work behavior is likely to improve the level of efficiency of sophisticated factories and machines. Taylor heavily trusted on various monetary incentive schemes as he us ed to believe that money is one of the biggest motivating factors that can improve the performance of even lazy workers (Singh, 2009). Four basic principles that were proposed by him are (i) development of scientific approach, (ii) scientific selection, training and teaching, (iii) encouragement of co-operation among the managers and workers and lastly (iv) proper division of responsibilities among management and workers (McDaniel & Gitman, 2007). There are many other contemporary experts who followed

Conservative Approach of Organosations Essay Example | Topics and Well Written Essays - 1500 words

Conservative Approach of Organosations - Essay Example Some say, â€Å"Attack is the best defense† while others preach, â€Å"defense is the best attack† (Shim, pp. 62, 2011). This paper is an attempt to capture a glance of this debate by exploring the arguments of both sides of the debate. Discussion Arguments in favour of aggressive approach Following could be some of the advantages in favour of the aggressive approach of companies. First, it is always difficult for firms to compete with each other when the switching costs incurred by the buyer for a product or service are high. This is more likely to be true in the technological market since the switching costs goes on to include the high fixed investments, training expenditure and others (Markides & Geroski, pp. 139-140, 2005). Therefore, when a new firm tries to compete with the first mover in the industry, it always has to consider the switching costs of buyers that are high in case of technology related or technology based products. Therefore, the new firms has to co me up with a value proposition that not only offers more value than the existing product but that value should also be sufficient to induce the customers in incurring the switching costs (Geel, pp. 351, 2011). ... 20-21, 2009). Third, there are no doubts in the fact that firms that are quick in capitalizing on technological opportunities also develop a unique relation with their buyers that other firms fail to have. These firms get more time to exploit the distribution and supplier channels thus their relationship with all of distribution and supplier channels stands out of the crowd (Skarzynski & Gibson, pp. 168-169, 2008). Further researches reveal that not only firms that capitalize on technological opportunities end up getting hold of those superior and innovative technologies but at the same time, they also end up acquiring the lion’s share of many other resources associated with the same. For example, if there any assets or natural resources associated with the business that is unique, the firm may be able to acquire that on well below the market price or may have great bargaining advantage over the suppliers, which other firms will not have when they enter into a crowded market ( Shim, pp. 62, 2011; Porter, pp. 46-47, 1998). The importance of adopting new technologies is also evident from the blue ocean strategy as well, which is, in itself, a new and unique chapter in the field of strategic management. The strategy argues that the entire field of strategic management is faulty and flawed in the sense that it encourages firm to remain and fight in the red oceans. The blue ocean strategy divides the marketplace into blue oceans and red oceans. Most of the firms are in Red Ocean that is characterized by their fierce competitive environment, cutthroat competition, increasing pressuring on firms to beat competition (Markides &

Environmental Economics Essay Example | Topics and Well Written Essays - 750 words

Environmental Economics - Essay Example Such rapid growth has brought about unprecedented pressure on the environment. It has been a challenge for India to ensure sustainable growth without hampering its environment beyond the acceptable norms. The key concerns that the country is facing today include its vulnerability to climate change, ability to maintain the balance between environmental concerns and development, setting the research and development priorities and mitigation of poverty amongst its masses (Dayal, Vikram and Chopra, Kanchan). It is important to recognize that natural resources are the prime source of all material inputs to economic activities. The environment acts as a sink of the various kinds of waste generated through human activity on a regular basis. A proper balance between the developmental needs of the country and its environmental concerns is necessary in order to pursue the path of sustainable development. Sustainable Development involves a durable and balanced approach to economic growth provid ing social protection and justice to all and ensuring environmental conservation all the time. Environmental Economics involves the relationship between environment and development. Three major aspects that are responsible for exhaustion of natural resources are over-population, over-production and over-consumption. In addition, there factors also lead to generation of massive quantities of waste if not managed properly. The equation between welfare and human development with protection of natural resource and natural environment has to be a balanced one for continued existence. Hence, while protecting environment is a must, without development it will be unsustainable and therefore it is essential to recognize that the two realities of growth and environment are to co-exist. The Government of India has recognized the importance of sustained development and its Ministry of Environment & Forests issued the National Environment Policy (NEP) in 2006, as a â€Å"response to our nationa l commitment to a clean environment as mandated in the Constitution in Articles 48A and 51A (g) and strengthened by judicial interpretation of Article 21.† (Ministry of Environment and Forests, Corporate Environmental Responsibility). The objective of the NEP is to bring to the mainstream all environmental issues in development activities. The governing subject of the policy is that â€Å"while conservation of environmental resources is necessary to secure livelihoods and well-being of all, the most secure basis for conservation is to ensure that people dependent on particular resources obtain better livelihoods from the fact of conservation than from degradation of the resource.† One of the primary requirements for growth is land. This limited resource is under severe constraint in India and two environmental issues are rigidly tagged to this constraint, the use of agricultural land for industrial purposes and forest land for all development activities. The law of the country mandates that any use of agricultural land for industrial purposes and clearing of forests for developmental activities are to the strictly cleared by the concerned State or Central Government. Forest clearances are to be granted only after careful consideration of the impact of forest diversion on biodiversity, wildlife, water and the local community. Similarly, agricultural land must be cleared by the local government before using for non-agriculture activities. Similar protective measures have also

Conservative Approach of Organosations Essay Example | Topics and Well Written Essays - 1500 words

Conservative Approach of Organosations - Essay Example Some say, â€Å"Attack is the best defense† while others preach, â€Å"defense is the best attack† (Shim, pp. 62, 2011). This paper is an attempt to capture a glance of this debate by exploring the arguments of both sides of the debate. Discussion Arguments in favour of aggressive approach Following could be some of the advantages in favour of the aggressive approach of companies. First, it is always difficult for firms to compete with each other when the switching costs incurred by the buyer for a product or service are high. This is more likely to be true in the technological market since the switching costs goes on to include the high fixed investments, training expenditure and others (Markides & Geroski, pp. 139-140, 2005). Therefore, when a new firm tries to compete with the first mover in the industry, it always has to consider the switching costs of buyers that are high in case of technology related or technology based products. Therefore, the new firms has to co me up with a value proposition that not only offers more value than the existing product but that value should also be sufficient to induce the customers in incurring the switching costs (Geel, pp. 351, 2011). ... 20-21, 2009). Third, there are no doubts in the fact that firms that are quick in capitalizing on technological opportunities also develop a unique relation with their buyers that other firms fail to have. These firms get more time to exploit the distribution and supplier channels thus their relationship with all of distribution and supplier channels stands out of the crowd (Skarzynski & Gibson, pp. 168-169, 2008). Further researches reveal that not only firms that capitalize on technological opportunities end up getting hold of those superior and innovative technologies but at the same time, they also end up acquiring the lion’s share of many other resources associated with the same. For example, if there any assets or natural resources associated with the business that is unique, the firm may be able to acquire that on well below the market price or may have great bargaining advantage over the suppliers, which other firms will not have when they enter into a crowded market ( Shim, pp. 62, 2011; Porter, pp. 46-47, 1998). The importance of adopting new technologies is also evident from the blue ocean strategy as well, which is, in itself, a new and unique chapter in the field of strategic management. The strategy argues that the entire field of strategic management is faulty and flawed in the sense that it encourages firm to remain and fight in the red oceans. The blue ocean strategy divides the marketplace into blue oceans and red oceans. Most of the firms are in Red Ocean that is characterized by their fierce competitive environment, cutthroat competition, increasing pressuring on firms to beat competition (Markides &

Central Bank and Monetary Policy Research Paper

Central Bank and Monetary Policy - Research Paper Example The main reason why countries create their own central banks is to ensure control of their currency. The central bank is the only authority that can print money and such responsibility cannot be given to anyone else as the consequence may turn out to be disastrous. The role of the central bank evolved over time and the literature in monetary theory points out that central banks work to reduce the impact of economic fluctuations and to minimize volatility in the financial system. They pursue five objectives to ensure economic and financial stability. The goals of central banks are generally specified as price stability, stable real growth, financial stability, interest rate and exchange rate stability (Mankiw, 2011; Geraats, 2006, pp. 37-40). The main goal of this research project is to help understand how the central bank manages and controls the quantity of money in the economy and its relation to price stability. It also brings out the main tasks of central banks and the challenge they face in conducting monetary policy. Objectives of Central Bank: The major role of the central bank of any country in the world is to monitor the financial structure of the respective country. Central banks also control the volume of financial transactions which are made by all other banks in the economy. These other banks include commercial banks, other non-banking financial institutions. The most important objective of the central bank is to manage the amount of financial resources of the economy and thus to maintain the stability in the economy. This stability is maintained in the economy by the central bank of the country in respect to stability of prices of goods and services, stability of financial transactions and prices of these transactions. Also stability is required to be achieved by the central bank in terms of movements in nominal as well as real interest rates and stability in exchange rates. Finally, the most important role of the central bank is to maintain stabi lity in the real growth of the economy (Mankiw, 2011). Central banks of different countries have long been correlated with secrecy. Even in regard to the present trend toward higher level of transparency of different monetary policies, it can be said that, this has not dispersed the inscrutability with which all central bankers often argue. Various researchers have provided an economic explanation for different roles of oblique communication. Under the conceivable assumption that there exists imperfect common knowledge or information about the level of transparency, all economic outcomes have been decided by both actual as well as perceived transparency. It has been shown, in numerous researchers, that it can be helpful to merge actual transparency with the perceived opacity. The optimal or most efficient communication strategy for the central bank is related to the process of providing clarity about the target level of inflation. But the role of the central is also related to the p rocess of providing information with recognized ambiguity about the target of prevailing as well as expected output-gap and supply shocks. Therefore, â€Å"the central bank benefits from sustaining transparency misperceptions, which helps to explain why transparency of monetary policy has not eliminated the mystique of central bank speak† (Geraats, 2006, p. 38; Blanchard, 2007, pp. 69-75). Balance sheet of central bank: The balance sheet of the central consists of assets and liabilities.